The fusion of Swing and Cuban music produced this fascinating rhythm and in turn created a new sensational dance. The Mambo could not have been conceived earlier since up until that time Cuba and the American Jazz were still not wedded. The Victor records of Anselmo Sacaras entitled "Mambo" in 1944 were probably the beginning and since then other Latin American bandleaders such as Tito Rodriguez, Pupi Campo, Tito Puente, Perez Prado, Machito and Xavier Cugat have achieved styling of their own and furthered the Mambo craze. The Mambo was originally played as any Rumba with a riff ending. It may be described as a riff or a Rumba with emphasis on the fourth beat 4/4′ time. Originally played by some musicians in 2/4 time with a break or emphasis on 2 and 4. Native Cubans or dancers, without any training would break on any beat. MARCHA: Latin American counterpart of our One-Step.